Studio Stu

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Mancuso Studivarious Single String Bassbass-4thbass-profile

The Mancuso Studivarious Single String Bass is a derivative of the Washtub Bass…you know, an upside-down metal washtub, a broomstick and some kind of string. That was how I started out performing on the Streets and Subways in New York City.

As I began to play with more advanced jazz bands, as the music progressed into a complex jazz language, I needed, as with any high quality, crafted instrument, more range, a natural tone, better action and ‘comfortability’. Over the last eleven years, I developed and refined the washtub bass into what is currently an all wood, three-and-a-half octave, smooth action, and articulate, custom instrument.

1st-bassfull-edit At first, the need to play acoustically louder gave way to the open horns in the tub…along with that, I used a hickory Queen Anne Hoe Handle with a carved ‘V’ groove at the top for easy sting placement and better tone. I added some acoustical foam and carpet on the interior to deaden the metallic sound and warm it up a bit.

Eventually, as I wanted to play faster and more accurately, I contacted Lou Mancuso, a master guitar maker who studied with Di Angelico, (has done work for Bob Dylan, Les Paul, Jimmy Hendricks, John Platinia, and Van Morrison) to help me with a few design problems. I wanted a ‘washtub bass neck’ made with a curve, which would bring the stick closer to the string. I also thought that cutting the tub on an angle would tilt it back , bringing the center closer to the neck as well, to give better action.

Lou hand carved my first neck out of oak with an ebony fingerboard, and shaped a curved stick. Instead of cutting the tub, he mounted it to a wooden ‘hoof’ that acted as an acoustical chamber and tilted the bass back as well.  And, in response to my concern over doing three, 45 minute sets on one foot (you must hold down the bass with one foot so it stays on the ground) he attached a small foot rest to the floor so that I could stand on two feet. Remarkable!

2nd-bassfull-editOver the next few years, Lou and I developed and implemented many refinements…different pick ups for sound reinforcement, quick release wooden nut for better neck/string contact and quick removal, a contour neck bottom for stability, plug in inputs, different curves in the neck, and much more.
 
One day I asked Lou to make me a wooden resonating body so I could eliminate the tub (after all, basses are made of wood) and Lou suggested a pre-made, unfinished, kick drum shell.  Gary and the boys at Precision Drums in Pleasant Valley, NY came up with an 18” maple, Keller shell, that they custom cut for me on a predetermined slant, then, off to Lou for lightening bolt f holes, a floor with a retractable foot rest, and custom antique sunburst finish…and with that, three new necks, one of maple with an ebony fingerboard, and two with rosewood finger boards…Mike, my mechanic from Especially Swedish, cut the top (bottom) off a wash tub to use as a head, and the first Studivarious was born. I’ve since replaced the washtub head with a custom wooden hoop and Remo drumhead made again by Gary at  Precision.

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Since I began, back in the last century, with a traditional washtub bass, a slew of bands and musicians have become interested in the unique sound and unusual entertainment value of the Studivarious as a complement to their own exclusive musical evolution. As well as playing the current Studivarious in my solo act, I have also performed with Zoe B. Zak, Too Human, The Hudson Rhythm Boys, Pamela Sue Mann, Brian Melick, Katherine Pritchard, Laurel Masse, Richard McGraw, The Wiggins Sisters, Zoe Lewis, The Italians, The Blue Monkey Side Show, and, my partnerships with Mark Dziuba and Dean Sharp, Duo Loco and Trio Loco.

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Like all great art, this is a never ending process…new electronics are being developed, Chip at Clubhouse put in a choice of balanced or unbalanced plug-in connections, and we are now working on the ‘Black Stallion’ a high gloss finish, no f holes, new electronics, all black Studivarious with a wooden archtop…did I say never ending? I meant it.

So, check out the photos (and the one's below) and if you have any questions, please feel free to drop me an e…come listen to some tunes at one of my shows, buy my new CD or, try listening on-line to this remarkable, new instrument…stay tuned...

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